![]() ![]() This is just slightly heavier than the a7S III by 26 grams. The FX3 is 640 grams and 3.06 inches x 5.11 inches x 3.33 inches without the handle, battery or media. This is a minor gripe, but if you are hoping to use the 16-bit RAW, you are currently out of luck. We hope that something in the future will capture that full data, but at the moment, there isn’t anything. That’s fantastic, however, that’s not 16-bit RAW. With an Atomos Ninja V or a Shogun 7, the FX3 outputs to the recorder for it to capture 12-bit ProRes RAW. 16-Bit RAW is useless until we have a device that can capture itĪlthough most situations would do just fine with 10-bit internal capture, the Sony FX3 offers 16-bit RAW via HDMI. Having multiple audio input options makes the camera even more dynamic. On top of that, the 35mm audio input on the port side of the camera also functions - in some formats - even when you are using the XLR inputs. We don’t want to use an adapter to plug in a mic to the camera. When a camera is for video shooting first, we expect the workflow options we need. This is more of a dig at other manufacturers for offering mini XLR inputs like Blackmagic on the Pocket cinema cameras or the Canon C70. This camera has so much to offer, but higher than 4K resolution isn’t it. This is a minor gripe because most don’t need more than 4K and that they give us high bit-rates in all frame rates at all resolutions. ![]() While the rest of the camera world offers higher and higher resolutions, Sony stuck with a top resolution of just UHD 4K in the FX3. Unless you plan on shooting at the highest data rate, the more affordable SD cards work fine. There is only one setting that you will need the CFexpress card: when recording S&Q 10-bit 4:2:2 Intra 60p, data rates go up to 1200 Mbps, requiring the faster card. Just like the a7S III, the Sony FX3 has dual media slots for either SD/SDHC/SDXC cards or the faster, but more costly CFexpress Type A. However, in our opinion, it would be well worth it. Likely, a built-in ND would make the camera larger and heavier and likely even more money. As much as we love the electronic variable ND in the FX6 and FX9, the void of an ND filter is just not good. The biggest feature that might deter you from this camera is its lack of built-in ND filters. ![]() Overall, the grip feels good and because it has a quick-mount for a shotgun mic, you can set up and go in no time. Adapters make it easier, but having tactile control of the input gives faster control. Having to adapt a mirrorless camera without XLR inputs leads to a painful workflow. It’s functional, expands the usability of the camera and looks cool. Along with the XLR inputs, the camera either captures the stereo audio from its built-in mic or via its 35mm jack. Connecting via Sony’s multi-interface shoe and two thumbscrews, the handle is a quick connection. Along with the XLR inputs, the camera has a total of 4 tracks of audio, depending on what format it’s capturing in. With a top frame rate of 240 frames per second (fps) in HD, it offers a fantastic 120fps in 4K. ![]() It has a top bit-rate of up to 600 Mbps in All-I XAVC S-I in 4K or 1200 Mbps when shooting in S&Q mode. Although it might only capture up to UHD 4K, it offers up to 10-bit 4:2:2 internal capture or up to 16-bit RAW externally. The Sony FX3 is flush with features, making the camera well-rounded. The biggest shared feature across the a7S II, FX3 and FX6 are that they all offer the same full-frame, back-illuminated 12.1MP Exmor R CMOS sensor with the BIONZ XR processor. Lastly, although it uses the same battery as the a7S III, it touts a longer battery life and has active cooling fans to keep the camera from overheating. The camera features a cage-free design of multiple ¼ 20 mounting points and you’ll never wonder if you are recording with its multiple Talley lights. Connected to the handle are full audio controls and two XLR inputs. The camera offers zoom control for use with a servo zoom or when using Sony’s digital zoom - clear zoom. If you are accustomed to using a rear screen for monitoring, it won’t be missed much. However, there are some notable differences.įirst off, the Sony FX3 doesn’t have an electronic viewfinder. Consider the FX3 as an a7S III with a handle. If you have ever shot a mirrorless or DSLR camera for video, the Sony FX3 is going to feel very familiar. ![]()
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